The long British nineteenth century (1789-1914) appears
to have the long global twentieth century (including the first decades of the
twenty-first) in its thrall. Regency and Victorian settings proliferate in
popular romance fiction, ranging from scenes of domestic life within the United
Kingdom to British espionage in Europe and British colonial settlements. Retellings
and “sequels” of Jane Austen’s novels line our (digital) bookshelves and fill
fan-fiction websites, spilling over most recently into the YouTube sensation The Lizzie Bennet Diaries. Such
adaptations of Austen’s novels, along with film and TV versions of the Brontë
sisters’ Jane Eyre and Wuthering Heights, and Elizabeth Gaskell’s
North and South, suggest that modern
audiences cannot get enough of stories about Georgians, Victorians, and
Edwardians in love.
The
Journal of Popular Romance Studies seeks papers on this enduring love
affair with 19th-century Britain. Why does a period that is
historically associated with the establishment of the Industrial Revolution,
the consolidation of the Empire, and the coalescing of middle-class mores now
strike us as a particularly “romantic” era? How do popular and middlebrow media
from around the world construct, interpret, and recast the world of 19th c.
Britain, broadly construed? What do these interpretations say about our current
moment and our modern (or postmodern) thoughts and feelings
about romance?
We welcome submissions that explore these and related
questions from any disciplinary or theoretical angle. We invite papers that
cover different media, including (paper and digital) literature, film, TV,
online content, and marketing.
This Special Issue of The Journal of Popular Romance Studies is guest edited by Jayashree
Kamble and Pamela Regis. Please submit scholarly papers of no more than 10,000
words, including notes and bibliography, by March 1 2014, to An Goris,
Managing Editor, at managing.editor@jprstudies.org.
Submissions should be Microsoft Word documents, with citations in MLA format.