Showing posts with label Brontës. Show all posts
Showing posts with label Brontës. Show all posts

Thursday, November 21, 2013

CFP: BWWC 2014 "Victorian Studies and the Brontës 'Gleaming Mirror'" (12/15/2013; 6/19-21/2014)


British Women Writers Conference Panel 
Binghamton University
June 19-21, 2014
Deadline:  December 15, 2013

The Brontës’ collective oeuvre simultaneously represents and explodes the boundaries of the Victorian period’s historical, ideological, and stylistic concerns. Their writing engages the most significant cultural issues of their time and has helped to define subgenres and an array of formal techniques since the nineteenth century. Perhaps this begins to explain why major critical shifts have often centered on the work of Charlotte, Emily, and Anne—consider, for example, Gilbert and Gubar’s The Madwoman in the Attic and Spivak’s “Three Women’s Texts and a Critique of Imperialism.” In anticipation of the bicentennial of Charlotte Brontë’s birth in 2016, we invite paper proposals for a panel reflecting on how the field of Victorian studies has been shaped by the work of any or all of the three sisters, analyzing how their prose and/or poetry provide a mirror for understanding the critical issues of the era. Papers might alternatively address how the shifting critical fortunes of the Brontës’ work reflect the dynamic changes in the field of Victorian studies. Proposals should clearly situate the paper within the larger British Woman Writers conference theme of “reflections.”


Please submit a 300-word abstract and a short bio (in a single .doc or .pdf attachment) to Lauren Hoffer and Elizabeth Meadows at brontereflections2014@gmail.com
no later than December 15, 2013. Panel subject to approval.

Friday, August 10, 2012

CFP: Re-Visioning the Brontës (9/28/2012; 1/29/2013)



29 January 2013 - Call for papers: `Re-Visioning the Brontës', University of Leeds conference in conjunction with the exhibitions, `Wildness Between the Lines' and `Visions of Angria'

Recent adaptations and interpretations of the Brontës' lives and works through film, art, literature and theatre raise questions about the continuing fascination with these literary figures, as well as highlighting the wider potential for artistic intervention or collaboration between artworks and audiences. Similarly, it is through innovative contemporary arts programmes that organisations like the Brontë Parsonage Museum and the Brontë Society seek to move beyond simple `caricatures' of the family and encourage diverse audience engagement.

This one day cross-disciplinary conference will explore the recent `re-visioning' of the Brontës through critically examining artistic responses and interpretations of their work. The conference will address ways in which the legacy of the Brontës is exerting an influence in a range of creative fields, and across a variety of media.

A collaboration between the Stanley & Audrey Burton Gallery and the School of Fine Art, History of Art and Cultural Studies, the conference is taking place to coincide with two exhibitions. The first, `Wildness Between the Lines', at Leeds College of Art, brings together the work of a wide range of artists who have been influenced by the Brontës. `Visions of Angria', at the Stanley and Audrey Burton Gallery, showcases Brontë material from the University of Leeds Special Collections, accompanied by illustrations from students at Leeds College of Art.

This theme lends itself to a broad field of research and practice. Submissions are welcomed from academics, artists, research students and professionals, and the format is not restricted to formal papers. Topics for discussion might include, but are not limited to:

  • The Brontës' influence in contemporary culture
  • Creative adaptations or reinterpretations of the Brontës' lives and works
  • Curatorial interpretations of the Brontës
  • The myth and legacy of the Brontës
  • Responses to exhibitions of Brontë material
  • Representations of the Brontës in literary biographies

Confirmed speakers include Jane Sellars (Curator of Art, Mercer Art Gallery, Harrogate) and Professor Blake Morrison (Goldsmiths, University of London) in conversation with Dr Richard Brown (University of Leeds).


Please email submissions, including a title, 400 word abstract and CV, to: bronte.revision@gmail.com by no later than Friday, 28 September 2012. Successful applicants will be notified by the 30 November 2012. Further questions are welcomed at this address.

Find us at:

The Stanley & Audrey Burton Gallery
Parkinson Building
Woodhouse Lane
University of Leeds
Leeds
LS2 9JT

Telephone: 0113 343 2778
Fax: 0113 343 5561 (Please mark for the attention of the Art Gallery)
Email: gallery@leeds.ac.uk