Showing posts with label politics. Show all posts
Showing posts with label politics. Show all posts

Sunday, February 17, 2013

CFP: Vernon Lee (5/31/2013; 10/17-19/2013)



CFP: Vernon Lee
(Violet Paget, 1856-1935)

Women and Political Theory in the 19th and First Half of the 20th Century: Vernon Lee and Radical Circles

Université de Paris Diderot, UFR EILA
17-18-19 October 2013
ORACLE SAGEF,
The Sibyl, Niama, It Palmerino Cultural Association, Advancing Women Artists 
http://thesibylblog.com

“Vernon Lee” (Violet Paget, 1856-1935) is well-known for her remarkable erudition, her sharp analyses of arts, music, and literature, her travel accounts uncovering the mysterious presence of the genius loci, her studies on aesthetic contemplation hinging on the central notion of empathy, her fiction (novels and short stories), her theatre work, and even her involvement in the defence of the city centre of Florence.

But little is known about Vernon Lee as a campaigner against war, against imperialism, and as a free woman striving for an ideal society based on equal rights and universal brotherhood, whose voice grew louder and louder in her fight for peace in Europe and the world. Indeed, as Phyllis F. Mannocchi declared in her Florence paper, 28 Sept. 2012 : “In the scholarship on Vernon Lee, not much attention has been paid to the fact that as she approached late middle age, Vernon Lee seemed to discover her voice as a political ‘radical,’ a supporter of women’s suffrage  a participant in the anti-war movement, and an expert in international relations. Vernon Lee’s ‘radical’ politics were ‘natural’ to her. After all, she was a ‘born internationalist,’ who had lived in France, Germany, Switzerland, England, and Italy, and was multi-lingual. After expressing her opposition to the Boer War (1899 – 1902), Vernon Lee began to write more often on social, political, and international issues. WHY is it that so little is known of her writing on these issues during this later period of her life?” (Phyllis Mannochi, International Conference Violet del Palmerino : Vernon Lee’s Cosmopolitan Salon, 1889-1935, Florence, 27-28 Sept. 2012. Accessible: thesibylblog.com.)

This conference will aim to further the knowledge on Vernon Lee’s and other women’s radical theories in the 19th and first half of the 20th century, in relation to contemporaneous British, Italian, French, Swiss, and German radical circles.

We invite contributions on:

  • Alice Abadam
  • Annie Besant
  • Clementina Black
  • Irene Forbes-Mosse
  • Isabella and Emily Ford
  • Mathilde Hecht
  • Emily Hobhouse
  • Charlotte Perkins Gilman
  • Clémence Royer

Favoured topics will include:


  • Vernon Lee and (Fabian) Socialism
  • Vernon Lee and Anti-Semitism
  • Vernon Lee and Fascism
  • Vernon Lee and Nazism
  • Vernon Lee and Bolshevism
  • Vernon Lee and India (Gandhi)
  • Vernon Lee and International Relations
  • Vernon Lee and women’s suffrage
  • Vernon Lee and women’s role in society
  • Vernon Lee and the relations between men and women
  • Vernon Lee’s pacifism: the Boer War; WWI; the coming of WWII
  • Vernon Lee and vivisection
  • Vernon Lee and the UDC (Union of Democratic Control)
  • Vernon Lee and the concert of nations (League of Nations)
  • Vernon Lee and economics
  • Vernon Lee and Europe
  • Vernon Lee and the Dreyfus affaire
  • Vernon Lee’s philanthropy

Please send your abstracts (title + about 450 words) before 31st May 2013 to
Michel Prum prum.michel@wanadoo.fr
Sophie Geoffroy geoffroysophie974@gmail.com

Comité scientifique/ Scientific Board

  • Françoise Barret-Ducrocq (Paris Diderot)
  • Florence Binard (Paris Diderot)
  • Sophie Geoffroy (Université De La Réunion)
  • Guyonne Leduc (Lille 3)
  • Phyllis Mannocchi (Colby University)
  • Michel Prum (Paris Diderot)
  • Shafquat Towheed (London Open University)



Wednesday, April 04, 2012

Registration Open: Politics, Performance and Popular Culture in Nineteenth-Century Britain (4/19-20/2012)




Registration is open for the April symposium on "Politics, Performance and Popular Culture in Nineteenth-Century Britain" which is part of the AHRC-funded research project, "The cultural politics of English pantomime, 1837-1901" We're meeting in the Arts Building, University of Birmingham, from 2pm Thursday 19 April, to 6pm, Friday 20th April.

http://www.birmingham.ac.uk/schools/edacs/departments/drama/research/pantomime/index.aspx

You can find the schedule and information about speakers at:
https://sites.google.com/site/victorianpantomime/2011-symposium_politics-and-performance

Speakers include:
  • Mike Sanders (Manchester): on Platforms, Correspondences and Theatrical Metaphor.
  • Jim Davis (Warwick): Victorian pantomime and the Politics of Gender Variance
  • Jane Pritchard (Victoria and Albert Museum): on Ballet, class and identity
  • Jill Sullivan (Independent): on The Irish question in regional pantomime
  • Marcus Morris (Lancaster): on Labour leaders, political rhetoric and performativity
  • Richard Gaunt (Nottingham): on Peel as actor-dramatist (parliament itself as theatrical institution)
  • Caroline Radcliffe (Birmingham): on Theatrical hierarchy and Cultural capital: East and West London
  • Anselm Heinrich (Glasgow): on Gladstone, national theatre and contested didactics of theatre.
  • Janice Norwood (Hertfordshire): on East End Socialism, performance techniques in protest/marches
  • Peter Yeandle (Lancaster): on Christian Socialism and performing arts: politics, theology and theatricality

Registration details and online registration can be found here:
http://online-payments.lancaster-university.co.uk/browse/product.asp?compid=1&modid=1&catid=307

Directions to Birmingham (Edgbaston Campus): http://www.birmingham.ac.uk/contact/directions/index.aspx

Recommended Local Accommodation: http://www.nmr.bham.ac.uk/documents/HotelsRestaurants.pdf


Thursday, March 01, 2012

Reminder: Politics, Performance and Popular Culture in Nineteenth-Century England (3/16/2012; 4/19-20/2012)



Politics, Performance and Popular Culture in 
Nineteenth-Century England: A Research Symposium
University of Birmingham, Edgbaston Campus, 19-20 April 2012

As part of Birmingham/Lancaster's AHRC project on the Cultural History of Pantomime, we are hosting a research symposium on the theme of Politics, Performance and Popular Culture.

Panels of speakers have been arranged, but we welcome contributions to a roundtable panel in which speakers will talk briefly about how their research addresses key questions on the interrelationships between 'performance' (howsoever defined), politics, and popular culture. We would be especially interested in short position-papers which reflects on: performance 'space' (church, hustings, streets, courtroom, etc); use of theatrical metaphor; the performative language of politics; reference to politics in performances, the politics of performance (censorship, adaptation, etc); and politics as performance (protest, campaigning, etc). There will be plenty of opportunities to discuss research in question sessions and over extended refreshment breaks.

If you would like to share your research as a speaker, please get in touch by no later than Friday 16th March. Alternatively, please get in touch if you'd like to attend. Further information, including list of confirmed speakers, topics, and details of local accommodation can be found here: https://sites.google.com/site/victorianpantomime/2011-symposium_politics-and-performance

Costs: £35 (£20 p/g)

For further information, please contact Peter Yeandle (p.yeandle@lancaster.ac.uk).


Tuesday, January 31, 2012

Conference: Politics, Performance and Popular Culture in Nineteenth-Century Britain (4/19-20/2012)


Politics, Performance and Popular Culture
in Nineteenth-Century Britain
University of Birmingham, 19-20 April 2012

You are invited to join us for a two-day symposium in Birmingham, at which we will explore the relationship between politics, performance and popular culture in nineteenth-century Britain. Our speakers have been confirmed, but we welcome participants for roundtable discussions and other contributions.

In what ways might popular culture have defined politics?  How might 'performance' be addressed as a concept by which better to understand crowd behaviour, whether for example at hustings or in protest?  How did politicians and others conceptualise their audience?  If, as Patrick Joyce argues, the late-Victorian audience in a context of political reform were 'rightful heirs to the democracy of pleasure' (Visions of the People, 1994, p. 309), how can we define the relationship between audience, politics and pleasure? Can we identify a discursive relationship between political and performance culture?

Speakers:

  • Mike Sanders (Manchester): on Platforms, Correspondences and Theatrical Metaphor.
  • Jim Davis (Warwick): Victorian pantomime and the Politics of Gender Variance
  • Jane Pritchard (Victoria and Albert Museum): on Ballet, class and identity
  • Jill Sullivan (Independent): on The Irish question in regional pantomime
  • Marcus Morris (Lancaster): on Labour leaders, political rhetoric and performativity
  • Richard Gaunt (Nottingham): on Peel as actor-dramatist (parliament itself as theatrical institution)
  • Caroline Radcliffe (Birmingham): on Theatrical hierarchy and Cultural capital: East and West London
  • Anselm Heinrich (Glasgow): on Gladstone, national theatre and contested didactics of theatre.
  • Janice Norwood (Hertfordshire): on East End Socialism, performance techniques in protest/marches
  • Peter Yeandle (Lancaster): on Christian Socialism and performing arts: politics, theology and theatricality
Costs: £35 (£20 postgraduate). Further information about local accommodation upon request. For further information, please contact Peter Yeandle at p.yeandle(at)lancaster.ac.uk