An international conference on collecting,
editing, performing, producing, reading, and reviving Romanticism at the Fin de
Siècle
Trinity
College Oxford, 14-15 June 2013
Keynote
Speaker: Professor Joseph Bristow (UCLA)
Call
For Papers
This conference places Romanticism at the
core of the British Fin de Siècle. As an anti-Victorian movement, the British Fin
de Siècle is often read forwards and absorbed into a ‘long twentieth century’,
in which it takes the shape of a prehistory or an embryonic form of modernism.
By contrast, Fin-de-Siècle authors and critics looked back to the past in order
to invent their present and imagine their future. Just at the time when the
concept of ‘Victorian’ crystallized a distinct set of literary and cultural
practices, the radical break with the immediate past found in Romanticism an
alternative poetics and politics of the present.
The Fin de Siècle played a distinctive and
crucial role in the reception of Romanticism. Romanticism emerged as a
category, a dialogue of forms, a movement, a style, and a body of cultural
practices. The Fin de Siècle established the texts of major authors such as
Blake and Shelley, invented a Romantic canon in a wider European and
comparative context, but also engaged in subversive reading practices and other
forms of underground reception.
The aim of this conference is to foster a
dialogue between experts of the two periods. We welcome proposals for papers on
all aspects of Fin-de-Siècle Romanticism, especially with a cross-disciplinary
or comparative focus. Topics might include:
- bibliophilia and bibliomania
- collecting
- cults
- editing
- objects
- performance
- poetics
- politics
- print culture
- sociability
- continuities and discontinuities
- Romanticism and Decadence
- Romantic Classicism
- European Romanticism and the English Fin de Siècle
Deadline
for abstracts: 15 January 2013
Please email 300-word abstracts to romanticfin@bbk.ac.uk
Conference
organisers: Luisa Calè (Birkbeck) and Stefano
Evangelista (Oxford)
This conference is co-organised by the
Birkbeck Centre for Nineteenth-Century Studies and the English Faculty of
Oxford University with the support of the MHRA